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Ricky Martin. by Randall, Nick,film director.; Martin, Ricky,actor.; Legacy Distribution (Firm),dst; Kanopy (Firm),dst;
Ricky MartinOriginally produced by Legacy Distribution in 2025.Third time was the charm. Twice turned down by Menudo for being too short, Ricky Martin (née Enrique Martin Morales) joined the boy band at age 12 and emerged as a teen heartthrob. Five years later, he was on his own, singing 5 languages, propelling Latin pop to mainstream music. There was Mexican theater, a TV show, then an American soap opera and sitcom along the way. The child who began as a choir altar boy and sang fast food TV ads in Puerto Rico would transcend his “Livin’ La Vida Loca” lyrics and reveal his true self as a gay man. A six-year marriage, 4 children by surrogacy, and divorce would follow. Some may call it “A Loco Life.”Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Music.; Latin America.; Foreign study.; Documentary films.; Mass media and culture.; LGBTQ.; Artists.; Current affairs.; Musicians.; Popular music.; Popular culture.; Popular Music.; Performing arts.; Puerto Rico.;
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Coded Bias. by Kantayya, Shalini,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 2020.When MIT Media Lab researcher Joy Buolamwini discovers that many facial recognition technologies misclassify women and darker-skinned faces, she is compelled to investigate further and start the Algorithmic Justice League. It turns out that artificial intelligence, which was defined by a homogeneous group of men, is not neutral. What Buolamwini learns about widespread bias in algorithms drives her to push the U.S. government to create the first-ever legislation to counter the far-reaching dangers of bias in a technology that is steadily encroaching on our lives. Centering on the voices of women leading the charge to ensure our civil rights are protected, CODED BIAS asks two key questions: what is the impact of Artificial Intelligence’s increasing role in governing our liberties? And what are the consequences for people stuck in the crosshairs due to their race, color, and gender?Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Science.; Engineering.; Computer science.; Documentary films.; Ethnicity.; Mass media and culture.; Discrimination.; Ethics.; Artificial intelligence.;
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Somebody told me ... : one man's unexpected journey down the rabbit hole of lies, trolls, and conspiracies / by Wallace, Danny,author.;
"Bestselling author Danny Wallace (Yes Man and Join Me) takes on the modern epidemic of lies, conspiracy theories, and disinformation to find out if truth has a chance in the fight. Have your loved ones been pulled into the rabbit hole of online conspiracies? Are they spouting strange theories about secret cabals or admiring authoritarian leaders? How did we become so vulnerable to false beliefs? Wallace's eye-opening investigation explores the ripple effects of misinformation -- meeting families torn apart, journalists on the frontlines, reformed conspiracy believers, influencers cashing in on fear, and the faceless trolls spreading lies. He reveals how disinformation not only devastates lives but divides communities and reshapes nations. False narratives seize our imaginations, leaving us feeling both powerless and oddly energized. With trademark wit and keen insight, Wallace delivers a timely, thought-provoking exploration that will make you question everything you think you know about truth in the digital age"--
Subjects: Conspiracy theories.; Deception.; Disinformation.; Fake news.; Internet; Mass media; Misinformation.; Online manipulation.; Truthfulness and falsehood.;
Available copies: 1 / Total copies: 1
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The Origins of Walt Disney. by Curiosity Stream (Firm),dst; Kanopy (Firm),dst;
Originally produced by Curiosity Stream in 2022.This talk is given by Andrew Kiste of Author and Cultural Historian.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Business.; Economic development.; Motion pictures.; Instructional films.; Documentary films.; Mass media and culture.; Artists.; Current affairs.; Animated films.; Biography.; Motion pictures--History.; Popular culture.;
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Green Day. by Berg-Hillinger, Bill,film director.; Dugan, Chris,film director.; Joe Armstrong, Billie,actor.; Dirnt, Mike,actor.; Cool, Tre,actor.; Stadium Media (Firm),dst; Kanopy (Firm),dst;
Billie Joe Armstrong, Mike Dirnt, Tre CoolOriginally produced by Stadium Media in 2024.A celebration of the 20th anniversary of the punk band's bestselling and award-winning seventh studio album.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Music.; History, Modern.; Documentary films.; Mass media and culture.; Artists.; History.; United States.; Popular culture.; Performing arts.;
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We Can Be Heroes. by Simmons, Alex,film director.; Mia Wong, Carina,film director.; Tribeca Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Tribeca Films in 2024.Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the accepting environment gives neurodivergent, queer, and self-proclaimed nerdy teens the space for true self-discovery. As the campers immerse themselves in an imaginative world, they discover inner strength and emerge as heroes. From Tribeca Films.Mode of access: World Wide Web.
Subjects: Documentary films.; Documentary films.; Mass media and culture.; Youth.; Teenagers.; Coming-of-age films.; Games.; Popular culture.; Youth--Social life and customs.; Fantasy films.;
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#Untruth. by Partland, Dan,film director.; Dark Star Pictures (Firm),dst; Kanopy (Firm),dst;
Originally produced by Dark Star Pictures in 2024.This documentary examines the psychology of “Trumpism” and the authoritarian strain that it seeded in the American political landscape. #UNTRUTH delves into the forces driving current efforts to enshrine a bias toward a white, conservative, minority rule, into US Law, and the forces of disinformation that have been deployed on the American electorate.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Social sciences.; History, Modern.; Americans.; Foreign study.; Documentary films.; Mass media and culture.; Current affairs.; Democracy.; United States--Politics and government.; History.; Disinformation.;
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Streampunks : YouTube and the rebels remaking media / by Kyncl, Robert,author.; Peyvan, Maany,author.;
"An entertainment and tech insider--YouTube's chief business officer--delivers the first detailed account of the rise of YouTube, the creative minds who have capitalized on it to become pop culture stars, and how streaming video is revolutionizing the media world. In the past ten years, the internet video platform YouTube has changed media and entertainment as profoundly as the invention of film, radio, and television did, more than six decades earlier. Streampunks is a firsthand account of this upstart company, examining how it evolved and where it will take us next. Sharing behind-the-scenes stories of YouTube's most influential stars--Streampunks like Tyler Oakley, Lilly Singh, and Casey Neistat--and the dealmakers brokering the future of entertainment like Scooter Braun and Shane Smith, Robert Kyncl uses his experiences at three of the most innovative media companies, HBO, Netflix, and YouTube, to tell the story of streaming video and this modern pop culture juggernaut. Collaborating with Google speechwriter Maany Peyvan, Kyncl explains how the new rules of entertainment are being written and how and why the media landscape is radically changing, while giving aspiring Streampunks some necessary advice to launch their own new media careers. Kyncl persuasively argues that, despite concerns about technology impoverishing artists or undermining artistic quality, the new media revolution is actually fueling a creative boom and leading to more compelling, diverse, and immersive content. Enlightening, surprising, and thoroughly entertaining, Streampunks is a revelatory ride through the new media rebellion that is reshaping our world"--
Subjects: YouTube (Electronic resource); Digital media; Internet entertainment.; Internet videos; Mass media.; Streaming technology (Telecommunications); Webcasting.;
Available copies: 1 / Total copies: 1
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No Rewind. by Troyer, Eric,film director.; Kee Buckley, Kee,film director.; Troyer, Eric,actor.; Burtnik, Glen,actor.; Townsend, Gordon,actor.; Clark, Louis,actor.; Kaminski, Mik,actor.; Huxley, Parthenon,actor.; Stadium Media (Firm),dst; Kanopy (Firm),dst;
Eric Troyer, Glen Burtnik, Gordon Townsend, Louis Clark, Mik Kaminski, Parthenon HuxleyOriginally produced by Stadium Media in 2024.Members of the classic rock band The Orchestra, comprised of former members of Electric Light Orchestra and ELO Part II, recount the history of the band and how the album of original songs No Rewind came to be.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Music.; History, Modern.; Documentary films.; Mass media and culture.; Artists.; History.; Popular music.; Popular culture.; Performing arts.; British Isles.;
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Unscripted : the epic battle for a media empire and the Redstone family legacy / by Stewart, James B.,author.; Abrams, Rachel(Journalist),author.;
Includes bibliographical references and index."In 2016, the fate of Paramount Global--the multibillion-dollar entertainment empire that includes Paramount, CBS, MTV, Nickelodeon, Showtime, and Simon & Schuster--hung precariously in the balance. Its founder and head, ninety-three-year-old Sumner M. Redstone, was facing a very public lawsuit brought by a former romantic companion, Manuela Herzer--a lawsuit that placed Sumner's deteriorating health and questionable judgment under a harsh light. As one of the last in a long line of all-powerful media moguls, Sumner had been a relentlessly demanding boss, and an even more demanding father. When his daughter, Shari, took control of her father's business, she faced the hostility of boards and management who for years had heard Sumner disparage her. Les Moonves, the popular CEO of CBS, felt particularly threatened and schemed with his allies on the board to strip Shari of power. But while he publicly battled Shari, news began to leak that Moonves had been involved in multiple instances of sexual misconduct, and he began working behind the scenes to try to make the stories disappear. Unscripted is an explosive and unvarnished look at the usually secret inner workings of two public companies, their boards of directors, and a wealthy, dysfunctional family in the throes of seismic changes, from the Pulitzer Prize-winning journalists James B. Stewart and Rachel Abrams. Through the microcosm of Paramount, whose once victorious business model of cable fees and ticket sales is crumbling under the assault of technological advances, and whose workplace is undergoing radical change in the wake of #MeToo, Black Lives Matter, and a distaste for the old guard, Stewart and Abrams lay bare the battle for power at any price--and the carnage that ensued."--
Subjects: Biographies.; Personal narratives.; Moonves, Leslie.; Redstone, Shari.; Redstone, Sumner.; CBS Corp.; Viacom Inc.; Corporations; Executives; Mass media;
Available copies: 1 / Total copies: 1
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