Search results for [Movement education.] at Tsuga Consortium

Results 31 to 39 of 39 | « previous

Wade in the Water. by Mesfin, David,film director.; Masekela, Selema,actor.; Schaffer, Sharon,actor.; Video Project (Firm),dst; Kanopy (Firm),dst;

Selema Masekela, Sharon SchafferOriginally produced by Video Project in 2023.Led by historical experts and community leaders in the BIPOC surfing movement, WADE IN THE WATER resurrects the thousand-year-old Black surfing tradition, stirring the next generation of Black surfers. The film explores the neglected history of Black surfing’s heritage by charting the origins of African aquatic culture and examining the evolution of Black surfing through the modern day.The journey begins with the first written account of surfing in the 1640s, from Africa, 200 years before Europeans described surfing in Oceania and the Pacific Islands. Advancing into the 20th century, Nick Gabaldón is highlighted as a surfing figure who is as significant as he is overlooked. We then learn of the shameful histories of weaponizing eminent domain and acts of white supremacist terrorism that drove Black communities and businesses from America's shores in places such as Manhattan Beach and Santa Monica. And finally, we bear witness to the reclamation of aquatic culture with the contemporary wave of young Black surfers.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; Health.; History, Modern.; Physical education and training.; Sociology.; Documentary films.; Ethnicity.; History.; African Americans.; United States--History.; Surfing.; African diaspora.;

unAPI

Every body [videorecording] / by Cohen, Julie,film director.; Wall, Sean Safia,on-screen participant.; Weigel, Alicia Roth,on-screen participant.; Gallo, River,on-screen participant.; Universal Pictures Home Entertainment (Firm),publisher.;

Sean Safia Wall, Alicia Roth Weigel, River Gallo.Every Body tells the stories of three intersex individuals who have moved from childhoods marked by shame, secrecy, and non-consensual surgeries to thriving adulthoods. Actor and screenwriter River Gallo (they/them), political consultant Alicia Roth Weigel (she/they), and Ph.D. student Sean Saifa Wall (he/him) are now leaders in a fast-growing global movement advocating for a greater understanding of the intersex community and an end to unnecessary surgeries. Woven into the story is a stranger-than-fiction case of medical abuse, featuring exclusive footage from the NBC News archives, which helps explain the modern-day treatment of intersex people.Canadian Home Video Rating: 14A.MPAA rating: R, for some language and graphic nude images.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1.

Subjects: Video recordings for the hearing impaired.; Biographical films.; Documentary films.; Educational films.; Nonfiction films.; Personal narratives.; Intersex people.; Identity (Philosophical concept); Intersexuality.; Self-acceptance.;

For private home use only.

Available copies: 1 / Total copies: 1

unAPI

Defund : black lives, policing, and safety for all / by Hudson, Sandy,1985-author.;

Includes bibliographical references."Time and again we see police respond to minor calls with escalation, wrongful arrests, even murder. Reform programs are often poorly implemented and their impacts short-lived. Calls to "defund" the police have rung out across the nation, yet the actual meaning of the phrase remains unclear. In Defund, longtime activist and the founder of Black Lives Matter Canada, Sandy Hudson, elucidates what defunding the police actually means and why it matters, by exploring today's criminal landscape and the patterns and structures that result in safer, well-resourced communities. Hudson explores the origins of commonly held ideas about police and safety to show how police-related social policies are based more on a sensationalized idea of safety than on outcomes and data. Through interviews and sociological research, she demonstrates that law enforcement solves only a small number of the crimes that police are tasked to investigate, and even the process of assigning cases depends more on optics than on large-scale crime reduction. Conversely, safe neighbourhoods, rather than featuring an increased police presence, are rich in resources and social programs. After laying out the history and data behind our broken policing system, Hudson explores how communities can save lives as well as money by investing in themselves rather than in policing. She shows how simple changes to educational resources, community centres and civic engagement can not only make communities safer, but also better able to provide for their citizens in countless ways. Clear-eyed and hopeful yet pragmatic, Defund is the key to understanding why a future without police is not only entirely possible, but necessary"--

Subjects: Discrimination in law enforcement; Police abolition movement; Police;

Available copies: 1 / Total copies: 1

unAPI

Decolonizing research : Indigenous storywork as methodology / by Archibald, Jo-Ann,editor.; De Santolo, Jason,editor.; Lee-Morgan, Jenny,1968-editor.; Smith, Linda Tuhiwai,1950-writer of foreword.;

Includes bibliographical references and index."From Oceania to North America, Indigenous peoples have created storytelling traditions of incredible depth and diversity. The term 'Indigenous storywork' has come to encompass the sheer breadth of ways in which Indigenous storytelling serves as a historical record, as a form of teaching and learning, and as an expression of Indigenous culture and identity. But such traditions have too often been relegated to the realm of myth and legend, recorded as fragmented distortions, or erased altogether. Decolonizing Research brings together Indigenous researchers and activists from Canada, Australia and New Zealand to assert the unique value of Indigenous storywork as a focus of research, and to develop methodologies that rectify the colonial attitudes inherent in much past and current scholarship. By bringing together their own Indigenous perspectives, and by treating Indigenous storywork on its own terms, the contributors illuminate valuable new avenues for research, and show how such reworked scholarship can contribute to the movement for Indigenous rights and self-determination."--

Subjects: Ethnology; Indigenous peoples; Postcolonialism;

Available copies: 0 / Total copies: 1

unAPI

The skin we're in : [Book Club Set] / by Cole, Desmond,1982-author.;

Includes bibliographical references."In May 2015, the cover story of Toronto Life magazine shook Canada's largest city to its core. Desmond Cole's "The Skin I'm In" exposed the racist practices of the Toronto police force, detailing the dozens of times Cole had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, went on to win a number of National Magazine Awards and catapulted its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing; the hopelessness produced by an education system that expects little of its black students and withholds from them the resources they need to succeed more fully; the heartbreak of those vulnerable before the child welfare system and those separated from their families by discriminatory immigration laws. Both Cole's activism and journalism find vibrant expression in his first book, The Skin We're In. Puncturing once and for all the bubble of Canadian smugness and naïve assumptions of a post-racial nation, Cole chronicles just one year-- 2017-- in the struggle against racism in this country. It was a year that saw calls for tighter borders when African refugees braved frigid temperatures to cross into Manitoba from the States, racial epithets used by a school board trustee, a six-year-old girl handcuffed at school. The year also witnessed the profound personal and professional ramifications of Desmond Cole's unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper's opinions editor and was informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another TPS meeting, Cole challenged the board publicly, addressing rumours of a police cover-up of the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking, handcuffed and flanked by officers, out of the meeting fortified the distrust between the city's Black community and its police force. In a month-by-month chronicle, Cole locates the deep cultural, historical and political roots of each event so that what emerges is a personal, painful and comprehensive picture of entrenched, systemic inequality. Urgent, controversial and unsparingly honest, The Skin We're In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians."-- Provided by publisher.

Subjects: Black Canadians; Discrimination in criminal justice administration; Discrimination in law enforcement; Minorities; Police brutality; Police misconduct; Police-community relations; Race discrimination;

Available copies: 12 / Total copies: 12

unAPI

The skin we're in : a year of Black resistance and power / by Cole, Desmond,1982-author.;

Includes bibliographical references."In May 2015, the cover story of Toronto Life magazine shook Canada's largest city to its core. Desmond Cole's "The Skin I'm In" exposed the racist practices of the Toronto police force, detailing the dozens of times Cole had been stopped and interrogated under the controversial practice of carding. The story quickly came to national prominence, went on to win a number of National Magazine Awards and catapulted its author into the public sphere. Cole used his newfound profile to draw insistent, unyielding attention to the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing; the hopelessness produced by an education system that expects little of its black students and withholds from them the resources they need to succeed more fully; the heartbreak of those vulnerable before the child welfare system and those separated from their families by discriminatory immigration laws. Both Cole's activism and journalism find vibrant expression in his first book, The Skin We're In. Puncturing once and for all the bubble of Canadian smugness and naïve assumptions of a post-racial nation, Cole chronicles just one year-- 2017-- in the struggle against racism in this country. It was a year that saw calls for tighter borders when African refugees braved frigid temperatures to cross into Manitoba from the States, racial epithets used by a school board trustee, a six-year-old girl handcuffed at school. The year also witnessed the profound personal and professional ramifications of Desmond Cole's unwavering determination to combat injustice. In April, Cole disrupted a Toronto police board meeting by calling for the destruction of all data collected through carding. Following the protest, Cole, a columnist with the Toronto Star, was summoned to a meeting with the paper's opinions editor and was informed that his activism violated company policy. Rather than limit his efforts defending Black lives, Cole chose to sever his relationship with the publication. Then in July, at another TPS meeting, Cole challenged the board publicly, addressing rumours of a police cover-up of the brutal beating of Dafonte Miller by an off-duty police officer and his brother. When Cole refused to leave the meeting until the question was publicly addressed, he was arrested. The image of Cole walking, handcuffed and flanked by officers, out of the meeting fortified the distrust between the city's Black community and its police force. In a month-by-month chronicle, Cole locates the deep cultural, historical and political roots of each event so that what emerges is a personal, painful and comprehensive picture of entrenched, systemic inequality. Urgent, controversial and unsparingly honest, The Skin We're In is destined to become a vital text for anti-racist and social justice movements in Canada, as well as a potent antidote to the all-too-present complacency of many white Canadians."-- Provided by publisher.

Subjects: Black Canadians; Discrimination in criminal justice administration; Discrimination in law enforcement; Minorities; Police brutality; Police misconduct; Police-community relations; Race discrimination;

Available copies: 2 / Total copies: 2

unAPI

Namibia - Return to a New Country. by Schuch, Christoph,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;

Originally produced by DEFA Film Library in 1997.Starting in 1979, nearly 2,000 children were evacuated from Namibia (and refugee camps in neighboring Angola and Zambia) to protect them from the violence of the civil war between South Africa and the socialist liberation movement, SWAPO. In a gesture of solidarity with SWAPO, the GDR accepted almost 500 children for their “protection, education, and socialist training.” After unification in 1990, they were suddenly returned—after Namibia's independence and first all-race free elections, which took place the same week as the Berlin Wall opened.The young people interviewed in this film reflect on the experiences of their childhoods in East Germany, focusing especially on their sense of identity and the difficulties they faced fitting into both European and Namibian societies.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;

unAPI

Yuni. by Andini, Kamila,film director.; Kirana, Arawinda,actor.; Abigail, Asmara,actor.; Anita, Marissa,actor.; Sari, Sekar,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;

Arawinda Kirana, Asmara Abigail, Marissa Anita, Sekar SariOriginally produced by Film Movement in 2021.Having rejected a marriage proposal and now facing limited options after graduation, Indonesian high-school student Yuni (Arawinda Kirana) finds herself having to define her desires within a society attempting to prescribe her fate. Navigating her burgeoning sexuality and educational prospects while coming to terms with the rigid gender politics with which they collide, Yuni observes her peers and the women around her as they reject or give in to the expectations made of them and the consequences their decisions carry.Mode of access: World Wide Web.

Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Coming-of-age films.; Motion pictures--Asia.;

unAPI

My Imaginary Country. by Guzmán, Patricio,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2022.One day, without warning, a revolution exploded. It was the event that master documentarian Patricio Guzmán had been waiting for all his life: a million and a half people in the streets of Santiago, Chile, demanding justice, education, health care, and a new constitution to replace the strident rules imposed on the country during the Pinochet military dictatorship. Urgent and inspired, MY IMAGINARY COUNTRY features harrowing front-line protest footage and interviews with dynamic activist leaders and powerfully connects Chile's complex, bloody history to contemporary revolutionary social movements and the election of a new president.Mode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; History, Modern.; Latin America.; Foreign study.; Sociology.; Documentary films.; Current affairs.; History.;

unAPI

Results 31 to 39 of 39 | « previous