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The Passion of Remembrance. by Julien, Isaac,film director.; Blackwood, Maureen,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 1986.THE PASSION OF REMEMBRANCE, the Sankofa collective's greatly influential first film and a landmark work in British avant-garde film and video, ambitiously explores themes of racism, homophobia, sexism, and generational tensions as embodied in the reality known by a Black British family over the years. The film interweaves two narrative threads—one in which a man and a woman discourse on their own experiences living in the UK, another in which events from three decades in the lives of the Baptiste family are staged—Maureen Blackwood and Isaac Julien tease the accumulated fragments into a spellbinding, heterogeneous mosaic that powerfully evokes the multiplicity of Black experience and identity and critiques the British state’s treatment of its marginalized residents.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Balts (Indo-European people).; Foreign study.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Race.; Race relations.; British Isles.;
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The Passion of Remembrance. by Julien, Isaac,film director.; Blackwood, Maureen,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 1986.THE PASSION OF REMEMBRANCE, the Sankofa collective's greatly influential first film and a landmark work in British avant-garde film and video, ambitiously explores themes of racism, homophobia, sexism, and generational tensions as embodied in the reality known by a Black British family over the years. The film interweaves two narrative threads—one in which a man and a woman discourse on their own experiences living in the UK, another in which events from three decades in the lives of the Baptiste family are staged—Maureen Blackwood and Isaac Julien tease the accumulated fragments into a spellbinding, heterogeneous mosaic that powerfully evokes the multiplicity of Black experience and identity and critiques the British state’s treatment of its marginalized residents.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Balts (Indo-European people).; Foreign study.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Race.; Race relations.; British Isles.;
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Down in Dallas Town. by Governor, Alan,film director.; First Run Features (Firm),dst; Kanopy (Firm),dst;
Originally produced by First Run Features in 2023.A startling film about the shifting terrain of public memory sixty years after the murder of John F. Kennedy on November 22, 1963. Through interviews with people on the street and songs recorded to memorialize JFK in the mid-1960s, the film explores the impact of the assassination on issues in today's world, from lingering conspiracy theories to the proliferation of gun violence, homelessness, and the scourge of K-2. Personal narratives are juxtaposed with the sentiments articulated in blues, gospel, norteño, and calypso recordings to haunting affect. Especially poignant is the account of Mary Ann Moorman, who returns to the assassination site fifty years later and details the making of her Polaroid photograph of the fatal head shot that killed JFK as the motorcade passed through Dealey Plaza. This new resonant film by Alan Govenar confronts ways we come to terms with the past through the power of storytelling, image-making, and a songbook that is largely unknown.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Americans.; Foreign study.; Documentary films.; Current affairs.; History.;
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El Golpe Blanco - The White Coup. by Scheumann, Gerhard,film director.; Heynowski, Walter,film director.; Pinochet, Augusto,actor.; Allende, Salvador,actor.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Augusto Pinochet, Salvador AllendeOriginally produced by DEFA Film Library in 1975.Parliamentary Elections in Chile on March 4, 1973: Reactionary forces, financially backed by the American CIA and international cooperation, attempt to gain a two-thirds majority in the National Congress, which would allow them to impeach President Salvador Allende, who was democratically elected for a six-year term in 1970. These efforts by the right-wing forces and nationalists, a so-called White Coup, seemed to be the last legal way for them to gain governmental power. When this coup fails, the Chilean reactionaries resort to an armed coup, and on September 11, 1973 they successfully launch a military-fascist government.The documentary uncovers the tactics nationalists and their allies used to change Chilean politics during the Allende government. Original footage, photos and audio are interwoven with quotes about the CIA’s role in Chile from major British newspapers, including the International Herald Tribune, Time and The Guardian.This release is the newly digitized original English version of the documentary that was distributed world-wide after the film came out in 1975. The English script was written and spoken by John Peet, a British journalist who defected to East Germany in 1950.Mode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; History, Modern.; Latin America.; Foreign study.; Documentary films.; Current affairs.; History.;
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Shakespeare Behind Bars. by Rogerson, Hank,film director.; Philomath Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Philomath Films in 2005.Murderers, Fugitives, Thieves…Shakespeare would have loved these guys. Shakespeare Behind Bars is an unexpectedly delightful documentary that follows the casting, rehearsal, and presentation of Shakespeare's play, The Tempest, by convicted felons inside Kentucky's Luther Luckett Correctional Complex. Winner of eight film festival awards, Shakespeare Behind Bars smashes many of our long held notions about prisoners and criminals as we watch these remarkably unique actors prepare. Ultimately, we get to see the human psyche unfold in all of its complexities, as these men, ostracized from society, reveal their kindness, generosity and faith. In the process, we accompany them as they discover the power of truth, forgiveness and transformation.Shakespeare Behind Bars does not glorify these men or excuse their crimes, but rather attempts to take a more humane look at them as human beings, not merely felons. Over the course of the year and the film, we see these men changed - enriched, challenged, awakened, and fulfilled.Mode of access: World Wide Web.
Subjects: Documentary films.; Performing arts.; Arts.; Criminal law.; Social sciences.; Sociology.; Documentary films.; Artists.; Shakespeare, William, 1564-1616.; Prisons.; Theater.; Rehabilitation.;
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The stronger sex : what science tells us about the power of the female body / by Vartan, Starre,author.;
Includes bibliographical references and index."A myth-busting vindication of women's physical strengths. For decades, Starre Vartan -- like most women -- was told that having a woman's body meant being weaker than men. Like many women, she mostly believed it. Following a half decade of research into the newest science, Vartan shows in The Stronger Sex that women's bodies are incredibly powerful, flexible, and resilient in ways men's bodies aren't. Tossing aside the narrow notion of a fully ripped man as the measure of strength, Vartan reveals the ways that women surpass men in endurance, flexibility, immunity, pain tolerance, and the ultimate test of any human body: longevity. In interviews with dozens of researchers from biology, anthropology, physiology, and sports science, plus in-depth conversations with runners, swimmers, wrestlers, woodchoppers, thru-hikers, firefighters, and more, The Stronger Sex squashes outdated ideas about women's bodies. It's a celebration of female strength that doesn't argue "down with men" but "up with us all""--
Subjects: Muscle strength; Sex differences.; Sex differences; Women;
Available copies: 0 / Total copies: 1
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The resilience myth : new thinking on grit, strength, and growth after trauma / by Chemaly, Soraya L.,author.;
Includes bibliographical references and index.The author of the "must read" (NPR) Rage Becomes Her presents a powerful manifesto for communal resilience based on in-depth investigations into history, social science, and psychology. We are often urged to rely only on ourselves for strength, mental fortitude, and positivity. But with her distinctive "skill, wit, and sharp insight" (Laura Bates, author of Girl Up), Soraya Chemaly challenges us to adapt our thinking about how we survive in a world of sustained, overlapping crises. It is interdependence and nurturing relationships that truly sustain us, she argues. Based on comprehensive research and eye-opening examples from real-life, The Resilience Myth offers alternative visions of relational hardiness by emphasizing care for others and our environments above all.
Subjects: Adaptability (Psychology); Adjustment (Psychology); Resilience (Personality trait);
Available copies: 1 / Total copies: 1
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This Is for Everyone : The Unfinished Story of the World Wide Web. by Berners-Lee, Tim.;
'This Is for Everyone' is a gripping account of the rise of the digital world from the inventor of the World Wide Web. As the rapid development of artificial intelligence brings new risks and possibilities, Berners-Lee also offers a crucial guide to the decisions ahead - and shows how our digital lives can be reengineered for the sake of human flourishing rather than for profit or power.Library Bound Incorporated
Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Science & Technology; COMPUTERS / Internet / General; COMPUTERS / Social Aspects / General;
Available copies: 0 / Total copies: 1
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Close to the Bone. by Thomas, Jared,film director.; McKinnon, Malcolm,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2022.In September 1852, in South Australia’s Flinders Ranges, the mutilated body of 16-year-old shepherd, James Brown, was found. The next day, a reprisal party of 17 men killed a disputed number of First Nations people. 170 years later, descendants of James Brown’s family return to the Flinders Ranges and reach out to people from some of the Aboriginal groups and share memories of the traumatic early period of European invasion. What happens when stories of violence and conquest on Australia’s colonial frontier are more than just an historical abstraction, with powerful and personal meanings for families and individuals on both sides of the inter-cultural frontier? Can the scars of past atrocities be reconciled and healed through the act of truth-telling? CLOSE TO THE BONE is a practical exercise in ‘truth and reconciliation,’ engaging with culturally and politically challenging material, in an effort to forge shared understandings. The film reveals diverse understandings of historic events, while seeking to resolve a shared path forward. In doing so, the film is informed by Charlie Perkins’ words: ‘We know we cannot live in the past, but the past lives in us.’Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Violence.; Aboriginal Australians.; Australia.;
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Close to the Bone. by Thomas, Jared,film director.; McKinnon, Malcolm,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2022.In September 1852, in South Australia’s Flinders Ranges, the mutilated body of 16-year-old shepherd, James Brown, was found. The next day, a reprisal party of 17 men killed a disputed number of First Nations people. 170 years later, descendants of James Brown’s family return to the Flinders Ranges and reach out to people from some of the Aboriginal groups and share memories of the traumatic early period of European invasion. What happens when stories of violence and conquest on Australia’s colonial frontier are more than just an historical abstraction, with powerful and personal meanings for families and individuals on both sides of the inter-cultural frontier? Can the scars of past atrocities be reconciled and healed through the act of truth-telling? CLOSE TO THE BONE is a practical exercise in ‘truth and reconciliation,’ engaging with culturally and politically challenging material, in an effort to forge shared understandings. The film reveals diverse understandings of historic events, while seeking to resolve a shared path forward. In doing so, the film is informed by Charlie Perkins’ words: ‘We know we cannot live in the past, but the past lives in us.’Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Violence.; Aboriginal Australians.; Australia.;
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Results 71 to 80 of 132 | « previous |