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The monster and the last blood match / by Linde, K. A.,author.;
For Reyna Carpenter, giving up her body isn't a choice -- it's survival. In a world where humans are currency and vampires rule from the shadows, Reyna accepts a high-paying position among the wealthy and ruthless elite. Her new job: a live-in blood escort for the enigmatic and dangerously powerful Beckham Anderson. She expects cruelty. She expects hunger. She expects to become his next meal. But Beckham won't drink from her. He keeps his distance, his unreadable gaze shadowed by something far more dangerous than just desire. As the nights pass, Reyna begins to sense it -- an invisible war being waged around her, secrets that twist through the corridors of Visage, and whispers of something far more valuable than power. Because Reyna isn't just rare -- she's the key to something bigger than she ever imagined. And the reason Beckham refuses to taste her blood? It might not just change them -- it might destroy everything.
Subjects: Vampire fiction.; Paranormal fiction.; Romance fiction.; Dystopian fiction.; Novels.; Blood groups; Blood; Elite (Social sciences); Escort services; Man-woman relationships; Survival; Vampires; Women;
Available copies: 0 / Total copies: 1
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Angel Wagenstein: Art Is a Weapon. by Simon, Andrea,film director.; Wagenstein, Angel,actor.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Angel WagensteinOriginally produced by DEFA Film Library in 2017.This provocative portrait of the Bulgarian-Jewish scriptwriter and novelist, Angel Wagenstein (1922-2023), offers a fresh perspective on the past century. It takes viewers down unfamiliar historical and ideological paths and revisits the revolutions of 1989 and after with a critical eye. The director introduces viewers to a brilliant and charismatic storyteller, for whom art became a form of resistance against a series of oppressive and corrupt regimes. Interviews with Wagenstein reveal his remarkable wit and intellect. Simon’s film is a must-see chronicle of a complicated history through the eyes of an artist who spoke truth to power throughout his storied career.The documentary includes clips from many of Wagenstein’s films, including his East German DEFA productions—Stars, The Little Prince, Chronicle of a Murder, Goya and Eolomea.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Motion pictures.; Balts (Indo-European people).; Foreign study.; Judaism.; Documentary films.; Artists.; History.;
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Oscar Micheaux. by Zippel, Francesco,film director.; D, Chuck,actor.; Singleton, John,actor.; Van, Melvin,actor.; Freeman, Morgan,actor.; The Party Film Sales (Firm),dst; Kanopy (Firm),dst;
Chuck D, John Singleton, Melvin Van Peebles, Morgan FreemanOriginally produced by The Party Film Sales in 2021.The most successful African American director of the first half of the 20th century, Oscar Micheaux wrote, directed, and produced more than 44 films and six novels before his death in 1951. Charting his incredible artistic journey, Zippel’s revealing documentary pays tribute to the extraordinary accomplishments of a resolute storyteller (and Illinois native) whose work served as a powerful rebuke to the ubiquitous racism of the times. A chorus of experts and fans—from Chuck D to Melvin van Peebles—weighs in on the incredible legacy of a man that cinema scholar Jacqueline Stewart describes as “the most important Black filmmaker who ever lived. Period.”Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Arts.; Motion pictures.; History, Modern.; Documentary films.; Ethnicity.; Artists.; History.; African Americans.;
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Resistance in a Hostile Environment: Subnormal. by Shannon, Lyttanya,film director.; BBC Studios (Firm),dst; Kanopy (Firm),dst;
Originally produced by BBC Studios in 2021.In the 1960s, while young black adults were getting to grips with the struggle for black power and a long fightback against police abuse was starting, the majority of West Indian migrants were keeping their heads down. They were working hard and counting on providing better opportunities and education for their children. However, in a white-dominated country, where the politics were becoming increasingly racialised, there was a question of how society, and its teachers, saw these young black children. Before having a chance to develop intellectually, they were labelled as stupid, difficult and disruptive. This documentary reveals how black children in the 1960s and 70s were sent to schools for the subnormal, and how parents, activists and teachers came together to fight this injustice.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Education.; Balts (Indo-European people).; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Current affairs.; History.; Political participation.; Racism.; African diaspora.; Police brutality.; Political activists.; Race relations.; Nineteen sixties.;
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The Passion of Remembrance. by Julien, Isaac,film director.; Blackwood, Maureen,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 1986.THE PASSION OF REMEMBRANCE, the Sankofa collective's greatly influential first film and a landmark work in British avant-garde film and video, ambitiously explores themes of racism, homophobia, sexism, and generational tensions as embodied in the reality known by a Black British family over the years. The film interweaves two narrative threads—one in which a man and a woman discourse on their own experiences living in the UK, another in which events from three decades in the lives of the Baptiste family are staged—Maureen Blackwood and Isaac Julien tease the accumulated fragments into a spellbinding, heterogeneous mosaic that powerfully evokes the multiplicity of Black experience and identity and critiques the British state’s treatment of its marginalized residents.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Balts (Indo-European people).; Foreign study.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Race.; Race relations.; British Isles.;
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The Passion of Remembrance. by Julien, Isaac,film director.; Blackwood, Maureen,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 1986.THE PASSION OF REMEMBRANCE, the Sankofa collective's greatly influential first film and a landmark work in British avant-garde film and video, ambitiously explores themes of racism, homophobia, sexism, and generational tensions as embodied in the reality known by a Black British family over the years. The film interweaves two narrative threads—one in which a man and a woman discourse on their own experiences living in the UK, another in which events from three decades in the lives of the Baptiste family are staged—Maureen Blackwood and Isaac Julien tease the accumulated fragments into a spellbinding, heterogeneous mosaic that powerfully evokes the multiplicity of Black experience and identity and critiques the British state’s treatment of its marginalized residents.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Balts (Indo-European people).; Foreign study.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Race.; Race relations.; British Isles.;
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The Social Trap. by Jadot, Elisa,film director.; Java Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Java Films in 2024.Adolescents who are connected to their smartphone for more than five hours a day are 66% more likely to suffer suicidal symptoms than those who use it for one hour a day. 44 US states are currently suing Meta, blaming it for the malaise of an entire generation. Faced with powerful tech giants like Meta, Tiktok, Snapchat, X and Discord, how can we protect children and their childhood?For the first time in history, state legislators and parents in the US and Europe are joining forces to fight these digital giants. Among them are five women who have chosen to turn their daily lives upside down to fight back against the Big 5: Alexis, Elisabet, Sofia, Laure and Socheata.They are victims, mothers, doctors and lawyers. They’re all behind a movement to change the destiny of future generations. Alexis, a victim of screen addiction, was among the first to take Meta to court, accusing it of “inciting suicide.” Elisabet is a mother of three. In just a few days, over 10,000 parents joined her WhatsApp group to fight for a "phone-free youth." As a result, the state has banned smartphones in schools. Sofia is a psychiatrist and pioneer in the treatment of screen addiction in children, some as young as seven. Socheata has been involved in the fight ever since her son was manipulated by an internet predator. She has joined an organisation that works alongside cybercrime police officers to track down paedophiles. Laure is a lawyer determined to change the laws that protect the Big 5.Through the struggles of these women, we will discover that digital control is a major public health and safety issue that goes well beyond what we imagine.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Health.; Criminal law.; Social sciences.; Science.; Child welfare.; Computer science.; Documentary films.; Mass media and culture.; Women's studies.; Current affairs.; Substance abuse.; Motion pictures--France.; Social media.; Youth.; Women social reformers.; Child psychology.; Self-esteem.; Motion pictures--Europe.;
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Down in Dallas Town. by Governor, Alan,film director.; First Run Features (Firm),dst; Kanopy (Firm),dst;
Originally produced by First Run Features in 2023.A startling film about the shifting terrain of public memory sixty years after the murder of John F. Kennedy on November 22, 1963. Through interviews with people on the street and songs recorded to memorialize JFK in the mid-1960s, the film explores the impact of the assassination on issues in today's world, from lingering conspiracy theories to the proliferation of gun violence, homelessness, and the scourge of K-2. Personal narratives are juxtaposed with the sentiments articulated in blues, gospel, norteño, and calypso recordings to haunting affect. Especially poignant is the account of Mary Ann Moorman, who returns to the assassination site fifty years later and details the making of her Polaroid photograph of the fatal head shot that killed JFK as the motorcade passed through Dealey Plaza. This new resonant film by Alan Govenar confronts ways we come to terms with the past through the power of storytelling, image-making, and a songbook that is largely unknown.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Americans.; Foreign study.; Documentary films.; Current affairs.; History.;
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El Golpe Blanco - The White Coup. by Scheumann, Gerhard,film director.; Heynowski, Walter,film director.; Pinochet, Augusto,actor.; Allende, Salvador,actor.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Augusto Pinochet, Salvador AllendeOriginally produced by DEFA Film Library in 1975.Parliamentary Elections in Chile on March 4, 1973: Reactionary forces, financially backed by the American CIA and international cooperation, attempt to gain a two-thirds majority in the National Congress, which would allow them to impeach President Salvador Allende, who was democratically elected for a six-year term in 1970. These efforts by the right-wing forces and nationalists, a so-called White Coup, seemed to be the last legal way for them to gain governmental power. When this coup fails, the Chilean reactionaries resort to an armed coup, and on September 11, 1973 they successfully launch a military-fascist government.The documentary uncovers the tactics nationalists and their allies used to change Chilean politics during the Allende government. Original footage, photos and audio are interwoven with quotes about the CIA’s role in Chile from major British newspapers, including the International Herald Tribune, Time and The Guardian.This release is the newly digitized original English version of the documentary that was distributed world-wide after the film came out in 1975. The English script was written and spoken by John Peet, a British journalist who defected to East Germany in 1950.Mode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; History, Modern.; Latin America.; Foreign study.; Documentary films.; Current affairs.; History.;
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Shakespeare Behind Bars. by Rogerson, Hank,film director.; Philomath Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Philomath Films in 2005.Murderers, Fugitives, Thieves…Shakespeare would have loved these guys. Shakespeare Behind Bars is an unexpectedly delightful documentary that follows the casting, rehearsal, and presentation of Shakespeare's play, The Tempest, by convicted felons inside Kentucky's Luther Luckett Correctional Complex. Winner of eight film festival awards, Shakespeare Behind Bars smashes many of our long held notions about prisoners and criminals as we watch these remarkably unique actors prepare. Ultimately, we get to see the human psyche unfold in all of its complexities, as these men, ostracized from society, reveal their kindness, generosity and faith. In the process, we accompany them as they discover the power of truth, forgiveness and transformation.Shakespeare Behind Bars does not glorify these men or excuse their crimes, but rather attempts to take a more humane look at them as human beings, not merely felons. Over the course of the year and the film, we see these men changed - enriched, challenged, awakened, and fulfilled.Mode of access: World Wide Web.
Subjects: Documentary films.; Performing arts.; Arts.; Criminal law.; Social sciences.; Sociology.; Documentary films.; Artists.; Shakespeare, William, 1564-1616.; Prisons.; Theater.; Rehabilitation.;
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