Search results for [Minority women] at Tsuga Consortium

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Anita de Monte Laughs Last A Novel [electronic resource] : by Gonzalez, Xochitl.aut; Pimentel, Jessica.nrt; Gregg, Jonathan.nrt; Gonzalez, Stacy.nrt; cloudLibrary;

A Reese's Book Club pick for March 2024! This program is read by a full cast of Stacy Gonzalez, Jonathan Gregg, and Jessica Pimentel, best known for her role on Orange Is the New Black. New York Times bestselling author Xochitl Gonzalez delivers a mesmerizing novel about a first-generation Ivy League student who uncovers the genius work of a female artist decades after her suspicious death A Most Anticipated Book of 2024: TIME, Good Housekeeping, Refinery 29, Real Simple, Entertainment Weekly, LA Daily News, and more! "Incandescent." —Publishers Weekly (starred review) 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite. A Macmillan Audio production from Flatiron Books.

Subjects: Audiobooks.; Hispanic & Latino; Coming of Age;

© 2024., Macmillan Audio,

The Last Word A Novel [electronic resource] : by Griffiths, Elly.aut; Wadia, Nina.nrt; cloudLibrary;

Words turn deadly with an unlikely detective duo on the case of a murdered obituary writer in this literary mystery from the internationally bestselling author of the Ruth Galloway series. Perfect for fans of Richard Osman and the Thursday Murder Club. Natalka and Edwin are perfect if improbable partners in a detective agency. At eighty-four, Edwin regularly claims that he’s the oldest detective in England. He is a master at surveillance, deploying his age as a cloak of invisibility. Natalka, Ukrainian-born and more than fifty years his junior, is a math whizz, who takes any cases concerning fraud or deception. Despite a steady stream of minor cases, Natalka is frustrated. She loves a murder, as she’s fond of saying, and none have come the agency’s way. That is until local writer Melody Chambers dies. Melody’s daughters are convinced that their mother was murdered. Edwin thinks that Melody’s death is linked to that of an obituary writer who predeceased many of his subjects. Edwin and Benedict go undercover to investigate and are on a creative writing weekend at isolated Battle House when another murder occurs. Are the cases linked and what is the role of a distinctly sinister book group attended by many of writers involved? By the time Edwin has infiltrated the group, he is in serious danger… Seeking professional help, the investigators turn to their friend, detective Harbinder Kaur, and find that they have stumbled on a plot that is stranger than fiction.

Subjects: Audiobooks.; Police Procedural; Women Sleuths; International Mystery & Crime;

© 2024., HarperCollins,

The keeper of magical things / by Leong, Julie,author.;

"An almost-mage discovers friendship-and maybe something more-in the unlikeliest of places in this delightfully charming novel from the author of The Teller of Small Fortunes. Certainty Bulrush wants to be useful-to the Guild of Mages that took her in as a novice, to the little brother who depends on her, and to anyone else she can help. Unfortunately, her tepid magic hasn't proven much use to anyone. When Certainty has the chance to earn her magehood via a seemingly straightforward assignment, she takes it. Never mind that she'll have to work with Mage Aurelia, the brilliant, unfairly attractive overachiever who's managed to alienate everyone around her. The two must transport minorly magical artifacts somewhere safe: Shpelling, the dullest, least magical village around. There, they must fix up an old warehouse, separate the self-turning butter churns from the kind-of-flaming swords, and above all: avoid complications. The Guild's uneasy relationship with citizens is at a tipping point, and the last thing needed is a magical incident. Still, as mage and novice come to know Shpelling's residents-and each other-they realize the Guild's hoarded magic might do more good being shared. Friendships blossom while Certainty and Aurelia work to make Shpelling the haven it could be. But magic is fickle-add attraction and it might spell trouble"--

Subjects: Queer fiction.; Fantasy fiction.; Novels.; Friendship; Imaginary places; Magic; Magicians; Quests (Expeditions); Villages; Women magicians; Woman-woman relationships;

The bright sword : a novel of King Arthur / by Grossman, Lev,author.; Allsbrook, Wesley,illustrator.;

"Collum, a brilliantly gifted young knight from the provinces, arrives at Camelot two weeks after the Battle of Camlann, hoping to compete for a spot on the Round Table. But he finds the city empty, King Arthur dead, and the Table destroyed. The remaining six knights aren't the mighty heroes, the legends, like Lancelot and Gawain and Tristram and Galahad. These are the survivors, a grab-bag of minor oddball knights from the margins-Sir Palomides, the Saracen Knight; Sir Bedivere, Arthur's one-handed longtime companion; Sir Dagonet, Arthur's fool, knighted as a joke; Sir Dinadan, a cutting wit who's hiding a deep secret. Arthur's death has exposed the splinters of his kingdom, and a void has opened in the heart of Britain. As power-hungry lords from the north descend on Camelot to seize control of the land, Collum is thrust into the front lines. Here lies the battlefield between pagans and Christians, fantasy and empire, power and destiny. Monsters and fairies are reawakening, the moral center is gone, and the fragile alliances that held Britain together are breaking. It is up to the surviving knights, the rebellious sorceress Nimue, and young Collum to avenge Arthur's murder and save Camelot. Can they re-build the Table and bring back the glory that was Camelot? Should they even try? The first major Arthurian epic of the new millennium, full of duels and quests, battles and tournaments, magic swords and Fisher Kings, The Bright Sword is a story about power and hope, and the struggle for the soul of England between the new Christian God and the old gods of fairy. But most of all it's a story about flawed men and women full of strength and pain who are looking for a way to reforge a broken land, in spite of being broken themselves"--

Subjects: Historical fiction.; Novels.; Arthur, King; Knights and knighthood;

The bright sword [sound recording] : a novel of King Arthur / by Grossman, Lev,author,narrator.; Smith, Nicholas Guy,narrator.; Allsbrook, Wesley,illustrator.; Penguin Audio (Firm),publisher.;

Read by Lev Grossman, Nicholas Guy Smith."Collum, a brilliantly gifted young knight from the provinces, arrives at Camelot two weeks after the Battle of Camlann, hoping to compete for a spot on the Round Table. But he finds the city empty, King Arthur dead, and the Table destroyed. The remaining six knights aren't the mighty heroes, the legends, like Lancelot and Gawain and Tristram and Galahad. These are the survivors, a grab-bag of minor oddball knights from the margins-Sir Palomides, the Saracen Knight; Sir Bedivere, Arthur's one-handed longtime companion; Sir Dagonet, Arthur's fool, knighted as a joke; Sir Dinadan, a cutting wit who's hiding a deep secret. Arthur's death has exposed the splinters of his kingdom, and a void has opened in the heart of Britain. As power-hungry lords from the north descend on Camelot to seize control of the land, Collum is thrust into the front lines. Here lies the battlefield between pagans and Christians, fantasy and empire, power and destiny. Monsters and fairies are reawakening, the moral center is gone, and the fragile alliances that held Britain together are breaking. It is up to the surviving knights, the rebellious sorceress Nimue, and young Collum to avenge Arthur's murder and save Camelot. Can they re-build the Table and bring back the glory that was Camelot? Should they even try? The first major Arthurian epic of the new millennium, full of duels and quests, battles and tournaments, magic swords and Fisher Kings, The Bright Sword is a story about power and hope, and the struggle for the soul of England between the new Christian God and the old gods of fairy. But most of all it's a story about flawed men and women full of strength and pain who are looking for a way to reforge a broken land, in spite of being broken themselves"--

Subjects: Audiobooks.; Historical fiction.; Novels.; Arthur, King; Knights and knighthood;

How the word is passed : a reckoning with the history of slavery across America / by Smith, Clint,author.;

Includes bibliographical references and index.Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves. It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, this book illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Informed by scholarship and brought to life by the story of people living today, here is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

Subjects: African Americans.; History.; Discrimination.; Ethnology; Minorities; African Americans;

All the parts we exile : a memoir / by Nozari, Roza,author.;

"From a queer Muslim woman and artist, a generous, insightful memoir that traces her journey toward radical self-acceptance and of exile from her ancestral home. As the youngest of three daughters, and the only one born in Canada soon after her parents' emigration from Iran, Roza Nozari began her life hungry for a sense of belonging. From her early years, she shared a passion for Iranian cuisine with her mother and craved stories of their ancestral home. Eventually they visited and she fell in love with its sights and smells, and with the warm embrace of their extended family. Yet Roza sensed something was amiss with her mother's happy, well-rehearsed story of their original departure. As Roza grew older, this longing for home transformed into a desire for inner understanding and liberation. She was lit up by the feminist texts in her women's studies courses, and shared radical ideas with her mother -- who in turn shared more of her past, from protesting for the Islamic revolution to her ambivalence about getting married. In this memoir, Roza braids the narrative of her mother's life together with her own on-going story of self, as she arrives at, then rejects, her queer identity, eventually finds belonging in queer spaces and within queer Iranian histories, and learns the truth about her family's move to Canada. All the Parts We Exile is a memoir of dualities: mother and daughter, home and away, shame and self-acceptance, conflict and peace, love and pain -- and the stories that exist within and between them. In sharp, emotionally honest and funny prose, Roza tenderly explores the grief around the parts we exile and the joy of those we hold close in order to be true to our deepest selves"-- Provided by publisher.

Subjects: Biographies.; Autobiographies.; Personal narratives.; Nozari, Roza.; Illustrators; Iranians; Mothers and daughters; Self-acceptance.; Muslim sexual minorities;

Nu Shu. by Yang, Yue-Qing,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;

Originally produced by Women Make Movies in 1999.In feudal China, women, usually with bound feet, were denied educational opportunities and condemned to social isolation. But in Jian-yong county in Hunan province, peasant women miraculously developed a separate written language, called Nu Shu, meaning "female writing." Believing women to be inferior, men disregarded this new script, and it remained unknown for centuries. It wasn't until the 1960s that Nu Shu caught the attention of Chinese authorities, who suspected that this peculiar writing was a secret code for international espionage. Today, interest in this secret script continues to grow, as evidenced by the wide critical acclaim of Lisa See's novel, "Snow Flower and the Secret Fan", about Nu Shu.NU SHU: A HIDDEN LANGUAGE OF WOMEN IN CHINA is a thoroughly engrossing documentary that revolves around the filmmaker's discovery of eighty-six-year-old Huan-yi Yang, the only living resident of the Nu Shu area still able to read and write Nu Shu. Exploring Nu Shu customs and their role in women's lives, the film uncovers a women's subculture born of resistance to male dominance, finds a parallel struggle in the resistance of Yao minorities to Confucian Han Chinese culture, and traces Nu Shu's origins to some distinctly Yao customs that fostered women's creativity.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Anthropology.; Asians.; Foreign study.; Second language acquisition.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; History.; China.; Language and languages.;

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