Search results for [Power (Social sciences)] at Tsuga Consortium

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My Imaginary Country. by Guzmán, Patricio,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Icarus Films in 2022.One day, without warning, a revolution exploded. It was the event that master documentarian Patricio Guzmán had been waiting for all his life: a million and a half people in the streets of Santiago, Chile, demanding justice, education, health care, and a new constitution to replace the strident rules imposed on the country during the Pinochet military dictatorship. Urgent and inspired, MY IMAGINARY COUNTRY features harrowing front-line protest footage and interviews with dynamic activist leaders and powerfully connects Chile's complex, bloody history to contemporary revolutionary social movements and the election of a new president.Mode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; History, Modern.; Latin America.; Foreign study.; Sociology.; Documentary films.; Current affairs.; History.;

Football Under Cover. by Najafi, Ayat,film director.; Assmann, David,film director.; Under the Milky Way (Firm),dst; Kanopy (Firm),dst;

Originally produced by Under the Milky Way in 2008.Set against cultural and societal contrasts, this documentary captures the challenges of organizing an exhibition soccer match between an Iranian women's team and a German women's team. It reveals the logistical and emotional hurdles faced as players navigate strict regulations and gender norms in Iranian society. Through candid moments on and off the field, we see the significance of the game to the players and fans, showcasing the unifying power of sports.Mode of access: World Wide Web.

Subjects: Documentary films.; Health.; Social sciences.; Physical education and training.; Foreign study.; Gender identity.; Homosexuality.; Documentary films.; Middle East.; Women's studies.; LGBTQ.; Current affairs.; Women athletes.; Soccer.; Iran.; Germany.;

Farewell, Beautiful Forest… or How a Film Was Censored. by Lippmann, Günter,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;

Originally produced by DEFA Film Library in 1990.An ecological catastrophe in the Ore Mountains on the Czech German border: Foresters and residents desperately try to save this landscape from forest devastation. But they face a doctrinaire state power that turns a blind eye and denies the facts.After the filmmaker’s initial proposal in 1983, permission to film was finally granted in 1987 and the crew shot in the Czech border region of Most and Teplice in 1988. But “forest dieback” was a forbidden word in East Germany. Consequently, none of the film’s eight versions passed censorship and the project was banned. Finally, in 1989/90, after the political changes in East Germany, the original version of the film was reconstructed, and the story about its censorship was included into the film.Mode of access: World Wide Web.

Subjects: Documentary films.; Arts.; Science.; Motion pictures.; Balts (Indo-European people).; Foreign study.; Environmental sciences.; History, Modern.; Social sciences.; German language.; Documentary films.; Artists.; Current affairs.; History.; Motion pictures--Germany.; Deforestation.; Climatic changes.; Ecology.; Motion pictures--History.; Motion pictures--Europe.;

Manicouagan. by Beaudet, Nadine,film director.; Spira (Firm),dst; Kanopy (Firm),dst;

Originally produced by Spira in 2025.A driven but intimate work, this film recounts the history of Manicouagan (North Shore, Quebec) a legendary territory shaped by the impact of an asteroid 215 million years ago. From the St. Lawrence River to north of the 51st parallel, the legendary Route 389 brings us to the heart of this meteor crater to meet some extraordinary individuals (astrophysicists, geologists, truck-stop manager, hikers). Digging deep into their memories, the Innu of Pessamit tell of the dispossession of their ancestral lands, which were flooded by the construction of the big hydro dams, leading to the disorientation of the young people from their community. After choosing to live in the boreal forest at the feet of the Uapishka Mountains, a guide and a hermit reveal their powerful connection with nature. In this non-linear narrative with many faces, the land speaks out and questions the traces we humans leave behind us.Mode of access: World Wide Web.

Subjects: Documentary films.; Science.; Social sciences.; Agriculture.; History, Modern.; Human rights.; Americans.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Current affairs.; History.; Indians of North America.; Canada.; Earth sciences.;

Edith Bruck. by Mally, Michele,film director.; Bruck, Edith,actor.; Risi, Marco,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;

Edith Bruck, Marco RisiOriginally produced by Film Movement in 2023.EDITH BRUCK: THE WOMAN AND THE SHOAH is an intimate and touching documentary of inestimable historical value, directly narrated by writer and poetess Edith Bruck, who is one of the last survivors of the Holocaust. Her books have been successfully published in Italy, France, Hungary, Croatia, UK, Germany, Israel, Poland and Holland. Through her firsthand experience of the violence of Nazism and the lagers, as well as her ongoing struggle against persecution, antisemitism, and racism, Edith’s story serves as a powerful reminder of the atrocities committed during World War II. Her voice, as both a writer and a survivor, offers a unique and invaluable perspective on this dark chapter of history.Mode of access: World Wide Web.

Subjects: Documentary films.; Literature.; Arts.; Social sciences.; History, Modern.; Judaism.; Documentary films.; Ethnicity.; Women's studies.; Artists.; Poetry.; Authors, European.; Women authors.; Holocaust, Jewish (1939-1945).; History.; Jews.; Biography.; Jews--Biography.; Authors.; Art and architecture.;

On the Adamant. by Philibert, Nicolas,film director.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;

Originally produced by Kino Lorber in 2023.Winner of the Golden Bear at the Berlin Film Festival, this affecting, enlightening documentary from nonfiction master Nicolas Philibert invites viewers to come aboard the Adamant and witness the transformational power of art and community. The Adamant is a one-of-a-kind place: a floating refuge on the Seine River in the heart of Paris that offers day programs for adults with mental illnesses. Its attendees come from across the city and are offered care that grounds them in time and space, helping them achieve recovery and stability. Through a blend of therapy, education, and culture rooted in music and the arts, the Adamant offers a hopeful vision of what a humanistic approach to mental health care could look like. The community on the boat is intentionally created so that both the staff and the people receiving care are treated with the same respect and dignity. Their meetings and conversations reveal the camaraderie and collective humanity of a group of people whose similarities far outweigh their differences.Mode of access: World Wide Web.

Subjects: Documentary films.; Balts (Indo-European people).; Foreign study.; Psychology.; Social sciences.; Documentary films.; Current affairs.; Health.;

Stop Filming Us But Listen. by Vivuya, Bernadette,film director.; Twahirgwa, Kagoma,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;

Originally produced by Video Project in 2022.A re-edited version of Joris Postema's Stop Filming Us, Vivuya and Twahirwa's film takes a closer look at the imbalance of power inherited from colonialism and its consequences on the representation of the DRC, cinematic and otherwise. The idea to produce this new version arose from discussions within Postema's film about whether a Western director is capable of capturing an image and narrative of the DRC shared by its citizens. It was then suggested that local directors work with the same footage to determine if a different story could be told from the same material to convey a local perspective. Re-editing the footage, they have made a version that better reflects their perspective and does justice to their own experiences. The resulting film contextualizes the project within the history of Western cinematic representations of the Congo, and highlights the inherent power discrepancies on either side of the camera. Featuring candid conversations with filmmakers, artists, scholars, and community members, STOP FILMING US BUT LISTEN seeks to subvert colonialist narratives familiar in the West and chart a new path for cinematic self-representation.Mode of access: World Wide Web.

Subjects: Documentary films.; Enthnology.; Social sciences.; Mass media.; Digital communications.; African studies.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; History.;

Results 131 to 137 of 137 | « previous